Behance ProSite

Am I the only one who jumped on the bandwagon with the Behance prosite? It's a terrific tool for artists and designers to showcase their portfolio.

I've found Behance itself to be fantastic for promoting one's self, and for those who, like me, have no time to design their own website. Let's face it, it's not about designing your own website and making it work. With portfolio websites you need to be able to update it regularly, share the work with ease, and most of all you want people to see it. With creative social network websites like behance this is much easier because you do all the exciting stuff, and leave all the coding to them, and it's much easier to connect with other artists and designers.

The problem with the normal Behance website is that even though it is customisable, it is quite limited. With the new 'Prosite' you can upload your own header, choose from five different layouts and then fix margins, colours and options just by clicking and sliding away.

Of course this comes with a price of $11 a month, but don't roll your eyes and give up just yet. $11 a month is only about 7.8 Euros, but think about it. It's a fully customisable website, you're not paying anything for domain and it's super easy to use. If you have a Behance profile already, the projects appear automatically on your prosite account, you just have to add them. I do sound like an advert here don't I? :) Perhaps you could give it a try here and tell me what you think. (you can try it without paying first, when you're hooked on to it you need to pay though ;)).

My first trial, feel free to have a look through

Gregory Crewdson

I just blogged about this in my Master's blog and thought I would share here. 

Absolutely mesmerised by Gregory Crewdson's photography, from the book 'Moving Pictures' - Contemporary Photography and Video from the Guggenheim Museum Collections. As soon as I saw the pictures, I immediately thought 'David Lynch' from the lighting, and the positioning / angles of the camera shots and the subjects. Indeed a paragraph from the book states that 'His elaborately staged panoramas often elicit comparisons to the films of Alfred Hitchcock, David Lynch, and Stephen Spielberg.'

What  I like most about them are the long shots being used, and the importance of the ambience around the people - rather than basic the sole focus on the people themselves. I also find the lighting spectacular (apparently Crewdson has recently employed a crew of up to thirty-five to assist in the creation of his visions).

"In Crewdson's work, meaning if kept just out of reach, where it lurks like a repressed trauma." 

(Moving Pictures, 2003)

StageDive Malta new Blog / Site

So I was lingering on facebook and Stagedive Malta linked to their new site/blog. I was instantly surprised with the creativity of their headers and they also looked slightly familiar. Then I realised, this is Elaine's style! Elaine is one of my HND 1 Graphic students who usually works with collage and found objects and materials. I think Elaine did a great job of designing these headers and what's also interesting is that there are three different headers / background which change if you refresh the page. Click any of the below images to be directed to Stagedive Malta. 

Visit Elaine's work here

Epipheo

So this semester, the HND1's Animation students got a challenging title for their animation. They will need to animate the evolution of MCAST Art & Design in under one minute. Most students are tackling it either in the form of an animated infographic, others are displaying it in the form of a fictional narrative. Either way, I would suggest to these students to have a look at 'Epipheo''s videos on youtube. Even though their videos are animated, they are largely showing statistics & information throughout a narrative and of course trying to sell whatever they have been hired for, in a fun way.

For most people when they think about animation, they think about big budget 3D films, and not necessarily animating for online marketing. I urge students who are inclined towards animation to consider this option; it could be a nice change to the quality of our local adverts.

This is from Epipheo's website: (and visit the website as well, it's as interesting as their videos)
"We are, like, the Crack Commando A-Team of the marketing world. Large and small companies call us when billboards, websites and typical videos don't work. We get hired when organizations want conversion—you know, when you actually want to change someone's mind about a product, solution or cause. We will do whatever it takes to communicate YOUR idea to the world."

Take the time to animate!

BA Digital Arts & Aljazeera Documentary

Here are some projects from the BA Fine Arts on the subject of 'Leisure' for the future.

Jenning's floating Zeppelin TV screen

George's meditative cube (yes that's him in the sea)

Jamie's vandalised Eiffel Tower

Kirsten's stadium on a roundabout, accessed only by motorised bicycles

Ryan's guide to Ultimate Pleasure

Sabrina's new transport system Poster

Sean's outdoor party

Sarah's inquisitive balcony

The projects are still unfinished; will post new screenshots once they are. Unfortunately I don't have a copy of Kamy's and Daniella's movie.

This week I was also glad to see our exhibited piece at the 'Art of Silence' in a documentary on Aljazeera about censorship in Malta. This also got Ruth and I thinking about doing another piece for The Front Against Censorship. Click the image to go to the documentary; it's worth a look.

Updates

Haven't posted during these two weeks because I've had a non-stop schedule, from a 3-day stay in Luxembourg with my Media students:

Ritienne Aquilina & Andy Micallef at the EU Bookshop Ceremony

...to shadowing a German lecturer for the BA Fine Arts Course on the Digital Applications Unit. Presentation will be on Friday and I will try to post some documentations here the following weekend!

The Grammar of Film & Storyboarding

Excellent video tutorials on the Grammar of Film kindly provided by my friend/colleague Eleonora (check out her blog here)

The Grammar of Film Part 1 from Eleonora Rose Abela on Vimeo.

The Grammar of Film Part 2 from Eleonora Rose Abela on Vimeo.

And here's some information on Storyboarding - just in case there's no time to cover this in class :) The final few slides are a summary of the above videos.Storyboarding

View more presentations from Moira Zahra.

Illusive Contemporary Illustration - mesmerizing Illustrations

Sometimes, my friends/coworkers Ruth and Eleonora (check out her new film blog here) come over and we sit down together, drink, eat, sing loudly and draw/paint :) Recently we've been going through 'Illusive - Contemporary Illustration Part 3' for inspiration, before starting our drawing sessions. So I've decided to share with you some names which have kept me looking at their works for the longest amount of time. These are not necessarily my favourites, because there were various other excellent illustrations, but I guess they did mesmerise me slightly more than the others. I have to admit I am a bit of a sucker for figurative and delicate likes, so you'll be seeing more of these.

Pietari Posti

The colour scheme of 'Storm' by Pietari Posti is so simple and yet astonishingly attractive. What I like about this: the line quality of the waves, the 'rough' colouring of the tentacles, the little dark corner in the top left nails it.

Mocchi Mocchi

 This was one of Ruth's favourites. There's something about illustrations of poppies - I guess it's the random, asymmetrical shape, and then the little black spots in the middle. Strikingly addictive,

Joe Mclaren

 A very popular style which is emerging locally as well - 'imperfect' illustration which puts the focus on the line and less on the rendering. Must admit I find its naivety very pleasing.

Bovey Lee

 What's not to like about this one? Beautifully detailed tactile illustration! There were other really good tactile illustrations on the book, but again, the lines in the one got me!

Nathan Fox

Really like the adrenalin and energy in Nathan Fox's illustration - very American-comic but in a different context. Reminded me a bit of the works of Winston Rowntree one of my favourite internet comic artists.

Laura Laine

Laura Laine is a Finnish fashion illustrator. Her works blew me away. Figures distorted in all the right areas. A little bit Tim-Burtonesque, but more refined.

Sabine Pieper

 After detailed lines and figures, collages are next on my list. I like the mixture of detailed faces with rough ink and paint smudges in Pieper's work.

Marguerite Sauvage

 Don't you think Marguerite Sauvage's name is perfect for her style of illustration? :) I was a bit undecided of whether to include her works her of not. Then I looked her up and found this illustration (which was not in the book) and I was hooked instantly. Love the pastel colour scheme, their faces, the hair, the food! (I love food illustration) and the whole Parisian-feel of the illustration.

Nao

I want to buy this as a print one day. What I like about it: the effortless line drawing, the running ink effect which I think is perfect for the context of this illustration. The writing, the hair...

Gabriel Moreno

 Gabriel Moreno's line quality reminds me of Daniela Attard's (who goes by the name of Iella) one of my favourite local illustrators.

Eva Sun-sil Han

 More collage work. Eva's work is a mixture of ravaged collage faces and thin architectural lines.

Marco Marella

 Marco Marella's work reminds me of these IT magazine illustration (perhaps he does do illustration for IT magazines, not sure). Also reminds me of coffee-shop artwork. Either way, I love the mixture of type with his rough-yet-clean figure illustrations.

Vincent Bakkum

I wanted to include a more traditional illustration, and I chose Vincent Bakkum, who does beautifully rendered figures, most of the time - accompanied by birds. I'm not a big fan of animal illustrations but I decided to make an exception for this one.

Yoko Furusho

Last but not least, Yoko Furusho has some amazing works comprised of clean-line figures. I really like the content of this illustration as well.

Please feel free to share your own favourite Illustrators :)

What I'm doing

What I'm doing: Combining traditional and digital. Trying to take the best of both worlds :)